富山県水墨美術館開館20周年記念

墨画×革命
戦後日本画の新たな地平

戦後日本の水墨画の新たな境地を意味する強いタイトルに合わせ、書体は骨太の中にも鋭い現代性を持った光朝を使用し、そこに文字の意味に合わせ墨のデザインをあしらった。
各作家の作品はそれぞれがトーンを構成し全体で一つの作品に見えるように工夫した。

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Masamitsu Kaya

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Masamitsu Kaya
Risa Yokoi
Rina Takeshita

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Geigetsu Matusbayashi Deep forest, 1961 Collection of The National Museum of Modern Art, Tokyo
Koichiro Kondo Rainy season, 1949 Collection of The Yamanashi Prefectural Museum of Art
Shihou Sakakibara Baikasyokin, 1955 Collection of the gallery Tetsusaido
Kibo Kodama Bonbai, 1959 Collection of The Hiroshima Prefectural Museum of Art
Iri Maruki botan Peony, 1967 Collection of Hisako Maruki
Gyujin Takamura Gautama departure koeshironozu, 1969 Collection of The Suiboku Museam of Toyama
Hitoshi Komatsu Rocky mountain fog smoke Figure, 1985 Collection of The National Museum of Modern Art, Kyoto
Kaii Higashiyama Jinglin moonlit night, 1976 Collection of The Nagano Prefectural Museum of Art, Higashiyama Kaii Gallery
Tatuso Takayama Sea, 1973 Private Collection
Hjin Iwasaki Mother and child, 1959 Collection of The Suiboku Museam of Toyama
Misao Yokoyama River, 1956 Collection of The Fukui Prefectural Museum of Art
Toshio Hirakawa Setsugokantei, Collection of The Toyahashi city Museum ART & history
Jyunsaku Koizumi Tousei Oga peninsula cape nyudo, 1997 Collection of The Tokyo Opera City Art Gallery
Toshio Matsuo Genkyoso, 2015 Collection of Artist
Matazou Kayama 1984 Tokyo, 1984 Collection of The National Museum of Modern Art, Tokyo
Akira Kaho Syomyo kureyuki, 1998 Collection of The Tonami City Museum of Art

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THE SUIBOKU MUSEUM, TOYAMA